The family of veteran gospel musician Deborah Fasoyin, widely known for the popular Yoruba song “Odun N Lo Sopin,” has dismissed rumours circulating online that she has died.
Her son, Korede Fasoyin, described the reports as untrue while speaking on Monday, explaining that the singer is alive and in good health.
The rumour spread rapidly across social media platforms after several posts surfaced featuring the singer’s photograph accompanied by “RIP” captions.
Many users also began sharing condolence messages, further fuelling speculation about her alleged death.
Reacting to the situation, Korede said the family has already begun preparing a video message to reassure supporters and correct the misinformation.
According to him, the clip will feature the gospel singer herself addressing the public to put an end to the false claims.
“My mother is alive. The report of her death is completely false. We are currently working on a video in which she will speak herself,” he said.
He added that the rumour triggered widespread concern among friends, fans, and associates of the family both in Nigeria and abroad.
Korede explained that he began receiving numerous phone calls shortly after midnight from people trying to confirm whether the report was true.
“I started getting calls from different parts of Nigeria and from outside the country since midnight, with people asking if she had passed away. I don’t know who would put out such a claim without confirming the facts,” he said.
The veteran gospel singer recently marked her 86th birthday on March 1, 2026, an occasion celebrated by family members and admirers.
Deborah Fasoyin is highly respected within the Christ Apostolic Church community and among gospel music audiences across Nigeria. Her song “Odun N Lo Sopin” remains one of the most recognisable Yoruba gospel tracks and is often performed during crossover services and end-of-year church gatherings.
Over the decades, her music has continued to resonate with multiple generations of worshippers, securing her a lasting place in Nigeria’s gospel music history.
